O Sainted Day

Saint Valentine

's Day, 2007. It starts snowing somewhere toward the middle of the night and keeps on into the day--a hard, light snow that stings your face when you walk into it. I'm now nestled snug in my cubicle at the matrimonial law office that shall represent my day job. I'm wearing a tie, for once, in honor of the day. This is the first substantial snow of the season that I have experienced in the city. It's rapidly turned to brown slush on the streets and in the curb nooks, the kind that deceives you into thinking it's a level surface right up until you see your foot plunge too-deep into the melancholic soup. So I'm wearing my Doc Marten's as well.

This is my least favorite of all holidays. It feels the most misguided and obligatory to me (Even more so than Arbor Day!). However, I started a tradition some years ago of making it a day in honor of my friends, as I believe

St. Valentine

probably would have appreciated. This year that honoring is a humble one, just catching up on much-neglected email and reading of other 'blogs. Nevertheless, the (small) effort has made me feel so much better than I might have. It's a credo of Unitarian Universalism (and

Avenue Q

) that service to others is a service to oneself, and I'm living it today. In a life such as mine, friends are family, and I am very, very grateful for you all.

Happy V-day. If you're still at home, put on some swimming goggles before going out, because that snow

stings

.

The Riddle of the Sphynx

"We thought this was going to be about Egypt."

That's not a quote from a movie. That's one of the reactions we received this weekend from the thirty-odd senior women of Scranton who attended the reading of

the play

which is the namesake of today's 'blogination. Instead of being a history of the famous statue, the play was inspired in large part by the riddle the Sphynx (or Sphinx, but never Sfinks) poses to the people of Thebes before using their failure to answer it as an excuse to slaughter excessive amounts of ancient Greeks. ("Wot...is your favorite color?" "Blue. NO, YELLOOOOOOOO...." [There's your movie quote.]) Said riddle being:

What walks on four legs in the morning, two legs in the afternoon and three legs in the evening?

And the answer is, naturally: Ya' momma.

'Twas a goodly weekend, and 'tdid start practically Friday midday with my commute to the Bronx to begin anew the filmmaking classes at Validus Academy. The spirit in the school was bright and eager, and all we were doing was announcing and describing our class to the students so they'd have a better idea what to sign up for. Thus leaving earlier than usual, I had plenty of time to stop by work to get and deposit my check for the week before high-tailin' in to Penn Station to catch the train to

Port Jervis

, riding with Friend Heather and possibly-newly-acquired-friend

Greg Fletcher

, the playwright.

The weekend was just what the doctor ordered. I knew I was hungry for stage time, but in spite of my griping these

past weeks

I somehow underestimated just how badly I needed it. We didn't do much with the reading, just sat semi-circle and read, and my part, though significant to the story, was not overloaded with lines. Yet performing the thing made all the hassle of the trip out, the preternatural cold of northern Pennsylvania, the junk food, etc., quickly meld into contributions to the bliss of reading lines, of playing a character. It was just a reading of a play in development. Still, it did the trick, and today I feel alive again. How do I forget so easily what that feeling is until I have it again?

Part of what was wonderful about the weekend--a huge part--was the warm sense of family I receive every time I go out to Scranton and play my part for

TNT

's modest notoriety. It's like a homecoming, without all the actual family angst and urgent self-examination. I know my way there, and everything I do makes sense and has some sense of purpose to it. Perhaps this is because it always contains some aspect of vacation--being away from my daily concerns, socializing as part of every place I am, etc. (I can hear Patrick frustratedly [yet playfully] barking: "Like that's a bad thing?!") Certainly our activities whilst not in rehearsal or performance were very recreational. Hedonistic, in one regard. Saturday night we sat and watched the entire season of a Canadian (Canada=hedonism) television series. It was something David and Heather had been specifically wanting to do

with me

since they happened upon the series about a month ago.

Slings and Arrows

, season one, is a six-episode comedy of characters surrounding the creation of a production of Hamlet. It aired on A&E or Bravo (I can't remember which; maybe it was Sundance) a little over a year ago, and I had been psyched to catch it but, as with all things regularly scheduled, forgot about it and missed it, save the final episode, which I caught entirely by chance one Friday night back when I still had cable television. I loved it, that solitary and (for me) undeveloped finale, and was curious about the show thereafter. It didn't resurface in my life until Heather and I were talking and she mentioned that David had seen it and wanted to watch it (again) with me. So we did just that. The whole thing. At a go.

It necessitates a

James Lipton

ian response. "If you haven't yet seen

Slings and Arrows

. . . you must go to your local Canadian video outlet, purchase the DVDs, drive to a cliff of at least 100 feet in height, cry mercy there to the Gods of Television and cut yourself with the edges of the DVDs in chronological order and allow your wasted blood of life to fall over the cliff's edge before promptly driving home and watching the whole series seventeen times over without cessation for bodily needs. It is

SCRUMTRULESCENT

. . . ." And that doesn't quite cover it. It takes funny-because-it's-true to all new levels, and not just for theatre people, but people people. After watching it, I felt like I understood again what was so great about what I'm trying to do. It's insane. It's supposed to be insane. As they say in the series, after experiencing the sensation of everything going right on stage, how can life compare?

In April, Friend Heather is moving out to

Scranton

. In theory, this is a trial run for her, but it includes letting go of her apartment in Brooklyn (due to money needs) and purchasing a car (due to day-to-day needs), so the theory is really more of a hypothesis: This move may be what Heather needs, and good for her life. I hope she's accurate in that. I understand her desire, I think. This weekend past, I could envision myself making the same move. If I settled in Scranton, I would get regular acting work at the theatre, and become a name in that smaller town. I could manage more of my life by myself, creating my own work for my own audience base. And I would be surrounded by a network of friends who bordered on family, and who were much easier to be in regular touch with than my friends in this nutty city of millions. Yeah. I get it, and think about it every time I work out there.

The answer, of course, is Man. As in Humanity. As babies, in the dawn of our existence, we crawl on all fours, then we learn to walk with two legs before needing a cane to progress as the sun sets on our little story. Taoist thought, as I understand it, also divides life into stages, albeit with some greater attention to detail. That's one of the differences betwixt (

S&As

has had an obnoxious effect on my syntax, and for that I apologize) Tao and Zen; Zen, roughly speaking, says purify and divorce oneself from this material plane toot-sweet, whereas Taoism takes you by the shoulder and says, in a voice that's audible to you but not the rest of the party, "Look, you've got to do what you've got to do right now, and it would be unnatural for you to do otherwise. All I'm saying is, when you get through the ambition, and ardent desire, and angst, you're going to see none of it was what was really important. So don't fight it, but plan for that. I'm going to go get some

vinegar punch

. You want I should bring a bit back for you?"

So, I could move to Scranton (or New Hampshire, or Maryland, or Virginia) now and get on with it. There's no gauge of legs to dictate when we should change our lives; would that there were. Instead, we're left with our feelings, those unpredictable faeries that Puck us up whenever they get a chance. Stupid Feelings. Being all better-informed about what we want than our brains are. Send out memos, Feelings; send out memos!

They do, of course. The trick seems to be getting our brains to keep their fax machines on and full of paper and toner. And check the fax machine every once-in-a-while, Brain! It's in another room! You gots to check it!

This entry now ending, due to recognition of the fact that I have succumbed to day-job metaphor.

Dare You to put Your Tongue against the Subway Track...

Breach of etiquette: I triple-dog dare you.

That's also the subject of today's movie-quote quiz. I paraphrase, of course, but if you know it there should be no problem winning today's finsky.

Polar Bear swim at

The Pond

! Last one in is a higher order of human being who doesn't succumb to the pack mentality when it could mean his or her ultimate peril!

Seriously: I want to cuddle with anything with a pulse, in front of a real fireplace, whilst drinking mulled wine and humming

sea shanties

. Instead, I am diligently returned to my day job and, like an early evolution of tiny mammal, merely overjoyed to be within a contained structure that has heated air being pumped through it. On my way up from the F train today I saw a homeless person laying out in the middle of the concourse floor, covered by a ratty comforter. Show me the police officer who would kick out such a person in such weather, and I will beat that officer mercilessly. Because violence solves problems. ( <--IRONY ) Today I had the opportunity to come into closer contact with Mona's clients than I normally do. In point of fact, I had not so much contact with her client, as with her client's soon-to-be-ex-spouse. (I think as long as I don't name names I can't be fired for this disclosure.) Yes, today I actually had to venture back out into the f'ing cold to serve a summons for divorce on someone. This is the third time, in four years of working for the same attorney, that I have been blessed with the honor of this particular sort of task. It was definitely the most pleasant of the three. The individual seemed very nice and was certainly cooperative. You don't get that a lot in the business of matrimonial law. It may seem cold to perform this task under any circumstances, but I like to think that when it falls to me to perform it I have the opportunity to at least make it as painless as possible, whereas when a service service (yeah--that's accurate) is made incumbent to the same thing it is of necessity professionally cruel. That's how I comfort myself. I have no real comfort to offer the people I meet in this role. Thanks to

Neil Gaiman

for suggesting (via his characterization of

Death

) that such a service is necessary and not necessarily vile. Just tough to accept.

An artist's life is invariably an interwoven mess of his or her personal, creative and professional lives (possibly best visualized by a

Pollack painting

). I'm not going to label myself an artist (leave that to the teeming masses) but I believe this metaphor extends to all those pursuing

The Third Life

(all rights reserved pending the apocalypse), and I sometimes wonder about the interrelationship between the elements of my particular pursuit. Today's task being a case in point, as is the fact that all my adult relationships to this point have been of necessity--to one extreme or another--long-distance ones. It doesn't exactly lend one an overwhelming confidence in one's ability to commit to and make work an ongoing relationship with someone, and I mean this both in the context of romantic entanglements as well as platonic ones.

Friend Patrick has made it something of his mission to remind me:

  1. Stability is not necessarily contrary to The Third Life; and
  2. Struggling ________s shouldn't fret over spending time/energy on things that simply make them happy.

For which I am eternally grateful. However, this encouragement has yet to make much of a dint in my wonderment over why the ol' personal life hasn't gone quite according to Hoyle. Not that I'm eager to attribute it to forces outside of my control or anything, but occasionally I have to wonder how best to make it work. And that's on good days. On bad days, I wonder if I've lost every chance for a long-term, meaningful relationship with someone by merit of prioritizing the career to the extent that I've had too many relationships fail not to have become jaded and absurd.

I try hard not to whine about it, but I am frustrated. The simple answer is, "Let go of the acting." You want a family, choose that and let the rest go. No dice, Cochise. I get about as far with that as I do on solving a

Rubik's cube

. It's not an option, and when I try to force that square peg into the round hole (minds: kindly remove yourselves from that gutter) it all goes to De Moines in a hand basket. Of course, there are varying degrees of compromise on this topic, and I've tried to explore them. Again: Rubik's cube. (I'm going to invent a "rubrics cube"; it can only be solved by speaking parenthetical advice at it until it suffers a system error from trying to process it all and catches fire, burning red until it's turned to slag...anyway...) Somehow I'm not yet ready to get a "real job" and practice community theatre, nor to apply to grad school and channel my creative energies into directing the senior class' production of

Angels in America

. Nor any of the other possibilities that spring to mind.

Yesterday I celebrated Friend Kira's thirtieth birthday with her. This March, the girl I moved to New York to be with is finally having her dream wedding. When I got out of college and was touring with children's theatre to save up enough money to move to this big city, I set my thirtieth year as the absolute, no-holds-barred decision date for hitting it, or quitting it, as regards pursuing a conventional family life. My thirtieth is impending, occurring in early June, at which time I will hopefully be in Italy, performing a clown piece in

Piazza Navona

. (Hear me, big G? For

reals

, yo.) So much has changed for me in the past seven years, I'm no longer assured that deadline was a good call. Nevertheless, it weighs on me occasionally. Okay: more than occasionally. RATHER FREQUENTLY. Yeah. That much.

I would like to go back and delete the last two paragraphs there. If you know me, it probably sounds like whining. If you don't know me, it probably sounds like relentless self-justification. Wait: Maybe it's the reverse. If you

don't

know . . . aw, to hell with it. It makes me vulnerable to admit that stuff, but come on. All you have to do is observe me for a short while for all of the above to be self-apparent. I'm not fooling anyone. Well, maybe Santa. Because I have yet to get just coal. Though I often wonder if generic electronics might not be today's equivalent.

What might be really hard to deal with is the fact that, of all my fantasies about how my life could go, which is my fantasy for this milestone of three decades?

In Bocca al Lupo

. Acting for spare change in a city in which I don't speak the native language. Not the fireplace. Not the Willsian progeny. Hat tricks and laughter in a piazza in Rome, which is really just a kind of New York with about two more millennia of history.

So there's no simple answer. Except, perhaps, to say that life is full of surprises. I figure if I can avoid choosing to apply my tongue to sub-zero-temperature alloys, then I'm still making reasonably intelligent decisions. So: I'll see you guys at 5:00 AM tomorrow morning at The Pond!