This Pigeon, She Limps

If you get no other lesson or nugget of wit'sdom from this here entry, please let it be this:

The FedEx/Kinko's at Astor Place is the devil.

I am not joking. "Ha ha," you think with private, interior laughter, "He is calling a

location

the

ultimate creature of evil

, which is a hyperbolic impossibility and therefore meant to induce laughter. Ha ha." Or perhaps, "Ah yes, the righteous artist, rebelling against the establishment and insidious corporations that are dug into our society like bedbugs attracted to the heat of our commerce. Rail on, my scrupulous-yet-ultimately-doomed-to-failure savant. Rail on." Or just maybe: "Dude. Chill. So they screwed up your order. It happens."

WELL THAT'S WHERE YOU'D BE WRONG! 'Cause they didn't just "screw up my order" (and don't use that tone of typography with me, mister) once or twice, but yesterday would represent the double-digit rite of passage as they rocketed from 7 to 10 incidents of humping the dignity out of me. I won't bore you with the details. Suffice it to say that yesterday was the final straw for me and ol' Astor Place FE/K's, regardless of the convenience of their location, and I encourage everyone to find a local place--where they'll learn your name, like on Cheers--for all your copying and shipping needs. Though the fine people at the 52nd Street FE/K's are quite awesome, I must admit.

Anyway. So yesterday I'm holding up the wall (and holding in my Hulk-like rage ["Don't neglect the manufacture of my brochures...you wouldn't like me when the manufacture of my brochures has been neglected...."]) outside said Kinko's establishment-o'-evil, and I espy me another injured pigeon (see

1/8/07

), this one fully legged but limping. Again I'm confronted with the question of how exactly this pigeon (or any pigeon) comes to be limping, exactly. But again, too, I'm given hope by the image. The pigeon flies perfectly well, and does so to escape an oncoming minivan. For our younger readers, a "minivan" is what "SUVs" were before Americans started playing the I'm-taller-No-I'm-taller game. See also "station wagon" and "Hummer" for further extrapolations in both directions.

Speaking of cars, Heather ended up with a

red PT Cruiser

for a rental, so we headed down to Philly in style (and I did not crush the dashboard with FedUp/Killyouse frustration) and got there in good time.

To discover that no one came to our

workshop

.

So, maybe the Gods of Copies knew something I didn't. Maybe I used up all my attendance karma at KCACTF (see

1/17/07

). Maybe it was just the "Blue Monday" factor. Apparently, January 22nd has been deemed, for a variety of factors, the most depressing day of the year (this seems wrong somehow; it's the kind of thing I'd expect to be kept track of by a lunar calendar, and thereby float over the Gregorian days, like Hanukkah; anyway:) and had Heather and I but known, we might have scheduled our workshop for another time. Instead, we taught Heather's friend Kelly some acrobalance, discussed methods of creating physical characterizations, and joked profusely over the lack of attendance. It was a good excuse to spend three hours training, and we took it. We stayed at Kelly and Diane's last night, amidst their menagerie of catsandonedog, and this morning drove back into Brooklyn, whereupon I caught the train into work here.

What's my point? I have no point. Feel free to make observations of the events herein and interpret them as you will. This is a twenty-four-hour period in the life of an actor/teacher/artist doing something related to their craft(s). But perhaps this doesn't pique your attention, blunted as it is by constant in-streaming of advertising and appetite-driven media. Very well. A dream I had...a nightmare, actually:

This was Saturday night, amidst my gloriously care-free weekend (it always is, isn't it?). It was part of a larger dream, but this is the only part I can remember:

Wait for it:

Okay:

I'm walking up a sidewalk in the Bronx. I'm on my way to some kind of party, possibly a barbecue, and I was supposed to bring meat. Ahead of me, his leash tied to a radiator outside a store front (what's a radiator doing outside?), is a medium-sized black dog. Not sure of the breed. Possibly an

Australian Kelpie

mix. (This from looking up breeds; I don't know them instinctively.) So it's suddenly imperative to me to get out my

Ginsu knife

and cut the dog into four even pieces down its back. Which I do. The dog is now held together by I know not what, and just looks at me, very sadly, ever-so-slightly whimpering. Now I'm in trouble deep, I know, because the owner is probably just inside the store. So I scoop up the severed dog, rather like how one holds a few boxes together by applying inward pressure in a two-sided grip, and run him around the corner. Now I'm in a neighborhood much more suburban looking, and possibly a cul-de-sac I knew not far from where I grew up. I put the dog down and sort of lay down with it (him, I know it's a him) in a nook of curb, semi-obstructed by trees, and think to myself "Oh man. Now I have to kill it." To put it out of its misery and so I have something to bring to the party, presumably. I decide slitting its throat is what needs to happen. (Why that's going to succeed where full-body amputations didn't, ask not me.) So I prepare to cut him...

And wake up. It might be angst over allowing the film to be cut (see

1/21/07

, "Film Debuts"). It may be about a metric tonne of guilt over some of the seemingly brutal decisions I've made in my life of late. It may just be I was hungry that night, and couldn't summon the creativity to imagine a

Royale w/ Cheese

. All in all, however, I would rather have the kind of dreams my friend Dave has:

Dave's dream.

Eva Green: Call me. We'll do lunch. I know this great

place

in the medieval quarter of Orvieto...

I Am a Banana!

Dewds: Oh my dewds: What a day have had I.

Today was the suspect

KCACTF

workshop, and I must say I am SO glad I didn't bail (for fear of not being on their program:

12/15/07

). Patrick and I drove up bright and early, and spent some hours strolling the seemingly desolate

campus

, pinning up fliers for

In Bocca al Lupo

. Scavenging push-pins was fun . . . especially when we were done, landed in the check-in area just in time to hear one of the student volunteers walk in a demand to know why she couldn't find any unused push-pins on any bulletin boards. I worried (I'm a worrier) that there would be no students, for we saw so few on our lengthy back-and-forth over the campus. So many attempts at promotion have ended in disappointment for the theatre in the past, I've learned to brace myself for the worst possible outcome.

I needn't have worried.

We had nearly 50 students for the class.

I thank God:

  1. They gave us a plenty-big room.
  2. Patrick was there.
  3. No one fell on his or her head.

Seriously: It was a liability nightmare. I suppose I should have kicked some people out, but I was just so surprised that I went straight into problem-solving mode. Five minutes before we were supposed to begin, Patrick and I quickly conferred amidst all the quasi-nervous college actors and agreed the best way to proceed would be to have them break into groups of three, see if there was enough space, then proceed in the hope that the spotters (those assigned to catch anyone who might fall) took to their jobs with grim determination.

We had them make a circle, shoulder-to-shoulder, and they essentially filled the 40x50 dance studio. To warm up, I had them count of one-two-one-two, and the twos step forward. Now we had two concentric circles, and we warmed up for about a half an hour. They were very responsive to my (cheesy, gratuitous) humor, and it wasn't too long before we were all warm in body and buzzing on the joy of being together and active. Great energy. And we did it all. In two hours, we learned the acrobalance poses of

Angel

(Superman) and

Front Thigh Stand

, worked on the dollar-bill exercise (teaching threes, separate and specific beats, listening) twice, and even covered some ground regarding building

commedia characters

from their appetites. And it ended with them almost unanimously hungry for more, which was great for

In Bocca al Lupo

. Hopefully students for that will come from this, but honestly, right now I'm just thrilled with how well it went.

That's about it, folks. I close the day, safely returned to my Brooklyn apartment now, gratefully exhausted from travel and

real

work. It was the kind of day to remember, when your work proved valuable and you feel useful and eager for more. There's a wonderful series of cartoons called "

Rejected

," by Don Hertzfeldt, that springs to my mind whenever I get in a situation that's potentially awkward or disappointing. It's a way of lightening my own mood and getting my mind off of worry. ("

My SPOON is too BIG

.") Some days, those same sheltering chants become

victory shouts

.

WHO'S WITH ME?

A Guy I used to know (and I don't mean Jesus by my all-caps action; his name was actually "Guy [pronounced like 'dye,' not 'dee']" had this character he would pull out on occasion, named Philo [pronounced "Fie-low"][sp?]. Philo was famous for boisterously proclaiming inanities and absurdities, usually of the fairly offensive variety, and then seeking consensus from the room. Usually the room was full of strangers, and usually Philo received little-to-no seconds of his motions. I.e.:

"I say, cute as they may be, baby seals were put on this earth for our carnal pleasure, and, ultimately, for us to club to death. WHO'S WITH ME?!"

That was the format. "I say,

[

insert shocking statement here

]

. WHO'S WITH ME?!" But don't get the wrong impression about Philo. I rather loathe discomfort humor (Ali G. et al, shock-jokes, etc.) but found Philo hysterical, mostly because he was so impotent. There was no fear of him fulfilling any of his plans, or investing in diabolical real estate (

Evil Mastermind Headquarters

, for example) unless someone--just once--would back him up. He just made these shocking proclamations and stood there, expectantly looking around him for raised hands.

Well, I have since adopted the jokes for those moments in my life that need levity. It breaks tension well. Just recently, however, I have discovered that more and more I might be just a little Philo. I might be suffering from a mild form of Philo-itis. Hence the subject of today's entry, kiddies:

I sure wish I could stop checking out the ass of every woman I notice.

WHO'S WITH ME?!

...

Oh. Okay. Fair enough. But my point is: I want to stop. This is exactly the kind of behaviour I dislike in "men." When I catch my dad at such antics (or, really, anything that indicates he still has blood flow from the navel down) I think, "Don't be that guy, dude. Don't be that guy." It's gotten astonishingly automatic, though. I am beginning to wonder if ending this behaviour is actually an option for me. And not just because I feel helpless against my primal urges (though I rather do and am), but because those urges have been so neatly integrated into my supposedly more sublime aspirations.

Witness this morning. After more video editing (thank God for removable hard drives) and on my way in to work, coffee in hand, I did me espy a woman crossing Park Avenue with a child who was presumably her own. She was not too terribly New York; active and vibrant, but not dressed to the nines, made-up prettily, but not beyond a comfortable degree. Maybe mid-thirties (alright: "

thirtysomething

"), and there was something about her smile, her interaction with the child and traffic that made me think to myself, "I'll bet she's making someone very happy."

WHEREUPON I PROMPTLY CHECKED OUT HER ASS.

(

It was nice enough. The jeans obscured detailed observation, but seemed well supported by a reasonably firm, round infrastructure.

)

WHAT the HELL? Am I doomed to emulate the fourteen-year-olds I'm presently teaching? Shall I revert to finding something entertaining just because it's crudely put? Will I forever be a hunter-gatherer of the

junk

to be found in

trunks

? And can Batman and Robin possibly escape the umbrella factory alive?

The answer to all of the above is probably: Yes. It's useless to fight primal urges, expending energy that would be better used to focus those appetites toward valuable ambitions, like learning how to

decoupage

. Which is to say, the primal urges fuel all our endeavors, even those that end up approaching the sublime (though I can't quite bring myself to categorize decoupage as sublime--such artistic snobbery on my part). I say we just accept it, all we guileless guys who have a conscience about this sort of thing, and just try to be as subtle as possible about it.

WHO'S WITH ME?!

Chips, Chips

Perhaps you've never even heard of

Paolo Conte

. (Prior to today, I certainly hadn't.) But I can almost guarantee you that you've heard one of his songs. I did this morning, in a Starbucks(r) (please, God, somebody incorporate a coffee shop called "Ishmaels" into your fiction--I've done, but no one will ever read it) and I thought, "This song is so funny. A clown piece should definitely be done to this song."

Via, via, vieni via di qui, niente pi

ti lega a questi luoghi, neanche questi fiori azzurri...

via, via, neanche questo tempo grigio

pieno di musiche e di uomini che ti son piacuti, (rit.)

It's wonderful, it's wonderful, it's wonderful

good luck my babe, it's wonderful, it's wonderful,

it's wonderful

I dream of you... chips, chips, du-du-du-du-du

Via, via, vieni via con me, entra in questo amore buio,

non perderti per niente al mondo...

via, via, non perderti per niente al mondo

lo spettacolo d'arte varia di uno innamorato di te...

(What? What? You don't read Italian? Poor baby!)

This way, this way, you come this way, nothing here

devout you alloy to these places, neanche these blue flowers...

this way, this way, neanche this time full

gray of musics and men who son appealed to you, (rit.)

It' s wonderful, it' s wonderful, it' s wonderful

good luck my babe, it' s wonderful, it' s wonderful,

it' s wonderful

dream of you... chips, chips, du-du-du-du-du

This way, this way, you come this waywith me, enters in this love buio,

not to lose for nothing the world to you...

this way, this way, not to lose for nothing to the world

the show to you of varied art of one in love of you...

Well. That should clear it up for you.

The trouble is, I'm quite certain someone already did a little show or two to this diddy. Shout out if you know for certain, folks. Meanwhile, I'll contact Paolo about reserving rights...WOW him with my Italian...

Ooops! Almost forgot. Here:

"Your day is past, plush toy. I'ma squish your head and use your synthetic stuffing material to buff my exterior shell to an even higher sheen!"

Special Edition: The Anti-'Blog

Ladles and Gentrified, I present to you a special installment of

Odin's Aviary

(r), now with more fibrous additives! A friend of mine is a bit opposed to 'blogs, and uses a brilliantly written bit of dramaturgy to illustrate the extent of his/her/its hatred (names and pronouns have been changed to protect the innocent, and because I like making up names):

I could never love a man with a blog...:

(Jo comes home after a long day of headstand prep. She sees Reginald at the computer.)

Jo

: Hey sweetie, I'm home! What's that you're--

(At the sound of Jo's approach, Reginald quickly slams closed his laptop.)

Reg

: Huh? Oh. Nothing. I missed you.

(He goes to kiss her but she dodges and gets the laptop.)

Jo

: OH--were you looking at

porn

?! Hee Hee Hee!

(She opens laptop and stares. Beat.)

You. You were...blogging? You. You have a blog?

Reg

: I--I can explain. Just let me expla--

Jo

: How could you do this to me?! You know how I feel about this sort of thing!

Reg

: Josephine: it's

just

a blog, for God's sake.

Jo

: First a blog, and then what? Your own SITE?!

(Reginald looks to the ground.)

Oh my God...

Reg

: It's for my career! It's completely valid! This is the way the industry is moving! Why are you being like this?

Jo

: I just can't share you like this! I'm an only child! I--I-- (

She turns to him.

) You have to choose.

Reg

: Between you and my blog?

Jo

: Yes.

Reg

: You can't be serious.

(She glares at him.)

Uh. O--Okay. You. Just. Just let me finish this entry--I'll make it the sign off entry.

(Reginald goes to his computer and sits down. Jo watches, and then begins to gather her things.)

Where are you going?

Jo

: You've made your choice.

Reg

: Josephine, Jo, it's just--

Jo

: --I'm sure you and your three loyal readers will be very happy together!

I'm leaving.

Reg

: Because of this?

Jo

: Yes.

Reg

: But Jo--

(He goes to hold her; she pushes him away.)

Jo

:

(on the verge of tears)

Don't touch me!

(She stares at him as all emotion drains from her face. She is blank.)

I don't even know you.

(She leaves. Reginald stands alone. As the lights fade to black, the only illumination on stage is Reginald's computer glowing in the dark, until that blinks off as well.)

Finis.