Oh crap oh crap oh crap oh crap . . .

Hello loyal (3-4) readers. I'm sad to report that I have had a tragedy in my life. It seems the pressures and tribulations of working for my boss have forced her full-time assistant (not me--I'm a "paralegal") into the hospital. Yes. I'm being literal. More significantly (to me, anyway), said assistant also quit on Friday.

For those of you in the know, the rest of this entry may be unnecessary, but I cling to the hope that there are people out there who are A) not fully acquainted with the details of my life; and B) reading this 'blog. I cling and I cling, and Rose tells me, "Don't let go, Jack! Never let go!", and I reply "My name's not Jack," as my icy grip perilously weakens moment by moment.

Anyway. My heart

will

go on. Just ignore it.

Outside "the know"? Then know this: No new 'blog entries for a while, probably. I will be pulling double duty (which, for Mona, pretty much means quadruple duty) until we can find and train a new assistant for her. This, added to the rapidly accelerating rehearsal process for

A Lie of the Mind

, equals no time for extra craft work.

I can only hope that Literature can withstand my absence for however long it takes to find a new sucker, er . . . SKILLED OFFICE ADMINISTRATOR.

Needs Must, when the Coffee Drives

I was

so

groggy for rehearsal last night.

How

groggy

was

I? I was

so groggy

that I was actually angry with myself for not being more in-the-room because I was so groggy but too groggy to even allow that anger to focus into something useful to rehearsal, on account of all my grogginess. It doesn't help, of course, that

Ripley Grier Studios

have the stuffiest little rooms on the Isle of Manhattan. It also didn't help that I opted last night--as I had the night before--to go in sans caffeination. That worked out two nights ago, when I was psyched (read: anxious) to jump back in to

The Torture Project

, but last night the magic had fled. Indeed, at this very very moment,

The Torture Project

feels a bit like an old marriage. Sunday mornings, decaf in bed, the paper. "Honey, can you pass me the Ideological Ranting section? Thanks. Oo, let's remember to get out to the Home Depot today to buy some duct tape."

Actually, it's a bit more like the marriage in

Who's Afraid of Virginia Woolf?

, what with all the torture and lies. Could do with a bit more sex. Though last night, too, we had what I believe was only our second actual on-stage kiss. It was hot; personally damaging and inappropriate (scenically, that is), but hot. One participant in this kissage was a Mr. Joe Varca, best known for his appearance in last Fringe Festival's smash hit,

I Was Tom Cruise

, and who is being utilized as a sort of

doppelganger

(Blogger, have not you an umlaut shortcut?) to my character in this show, owing to the

shocking similarity of appearance

we apparently share. For the first time, that damn

mirror bit

from the Marx Brothers would be interesting to watch. I've had to try and do that bit in at least three different shows. I'm sick of it. I'm afraid beginning to feel similarly toward this show we've all been working on for the past two years now.

It will change. When we have to present what we have again on Monday, I'll be anxious and excited and "psyched" as all get-out. But this is a development, this waning interest in open collaboration on the show, the which it's good for me to acknowledge. I'm growing impatient, which I don't believe to be a factor of time, but rather an indication that I'm beginning to feel as though we're spinning our wheels a bit. The director has talked a lot about taking more personal control and determining whose story this is, what voice(s) tells it and what kind of story it will be. I hope she makes these choices soon, right or wrong, because it influences a lot and gives (pun unintended) direction to the whole piece. Basic questions, like: Is it a memory play? Is it magical realism? Are we aiming to provide answers? Will we eventually make millions of dollars in royalties?

The work last night was also good, but with more off-the-cuff assignments divided (with all those deviser-actors) into shorter segments. One of the prepared pieces that we didn't get to two nights ago was brilliant--a series of six monologues from different residents of Bethel, Ohio (where our scene is set), including a sixty-year-old man and a twenty-three-year-old boy. And a caricature of our director. The performer was referencing

The Laramie Project

in this, but had no idea. She's never seen it. My impromptu assignments last night were to play Jake teaching his sister Nic the casualty terms that were a part of my piece last night, and to create a series of tableau of the supposed execution of my character with the actress who plays the "torturer" and our do-it-all designer. Kelly and I melded the quiz scene with a scene we already have of us in a car, quizzing her on flower meanings, as though it were a dream she's having, and ended it with, K-"Are you alive or dead?" J-"I don't know." That one worked well. The second we couldn't quite get the effect we wanted with what we had. Our idea was to show three poses from the video (Jake kneeling in front of a hole, Jake standing with his head turned slightly to the left and Jake shot on the ground) then give three progressively closer shots--as if they were expanded--of the left side of Jake's jaw, which is the only part of the supposed Maupin video that lends itself to personal identification. Tricky to do without proper lights and a soundboard.

To think: For the past five years, this time of year has always found me working hard on ecstatic comedy.

Tonight, instead of

TP

rehearsal (Laurie is off workshopping with Moises for three days [How's that for name-dropping?]) I have acrobalance at

Friend Kate

's loft. Tonight with jugglers! It will be a welcome respite. Send in the clowns, you bastards. Send in the clowns...

Dare You to put Your Tongue against the Subway Track...

Breach of etiquette: I triple-dog dare you.

That's also the subject of today's movie-quote quiz. I paraphrase, of course, but if you know it there should be no problem winning today's finsky.

Polar Bear swim at

The Pond

! Last one in is a higher order of human being who doesn't succumb to the pack mentality when it could mean his or her ultimate peril!

Seriously: I want to cuddle with anything with a pulse, in front of a real fireplace, whilst drinking mulled wine and humming

sea shanties

. Instead, I am diligently returned to my day job and, like an early evolution of tiny mammal, merely overjoyed to be within a contained structure that has heated air being pumped through it. On my way up from the F train today I saw a homeless person laying out in the middle of the concourse floor, covered by a ratty comforter. Show me the police officer who would kick out such a person in such weather, and I will beat that officer mercilessly. Because violence solves problems. ( <--IRONY ) Today I had the opportunity to come into closer contact with Mona's clients than I normally do. In point of fact, I had not so much contact with her client, as with her client's soon-to-be-ex-spouse. (I think as long as I don't name names I can't be fired for this disclosure.) Yes, today I actually had to venture back out into the f'ing cold to serve a summons for divorce on someone. This is the third time, in four years of working for the same attorney, that I have been blessed with the honor of this particular sort of task. It was definitely the most pleasant of the three. The individual seemed very nice and was certainly cooperative. You don't get that a lot in the business of matrimonial law. It may seem cold to perform this task under any circumstances, but I like to think that when it falls to me to perform it I have the opportunity to at least make it as painless as possible, whereas when a service service (yeah--that's accurate) is made incumbent to the same thing it is of necessity professionally cruel. That's how I comfort myself. I have no real comfort to offer the people I meet in this role. Thanks to

Neil Gaiman

for suggesting (via his characterization of

Death

) that such a service is necessary and not necessarily vile. Just tough to accept.

An artist's life is invariably an interwoven mess of his or her personal, creative and professional lives (possibly best visualized by a

Pollack painting

). I'm not going to label myself an artist (leave that to the teeming masses) but I believe this metaphor extends to all those pursuing

The Third Life

(all rights reserved pending the apocalypse), and I sometimes wonder about the interrelationship between the elements of my particular pursuit. Today's task being a case in point, as is the fact that all my adult relationships to this point have been of necessity--to one extreme or another--long-distance ones. It doesn't exactly lend one an overwhelming confidence in one's ability to commit to and make work an ongoing relationship with someone, and I mean this both in the context of romantic entanglements as well as platonic ones.

Friend Patrick has made it something of his mission to remind me:

  1. Stability is not necessarily contrary to The Third Life; and
  2. Struggling ________s shouldn't fret over spending time/energy on things that simply make them happy.

For which I am eternally grateful. However, this encouragement has yet to make much of a dint in my wonderment over why the ol' personal life hasn't gone quite according to Hoyle. Not that I'm eager to attribute it to forces outside of my control or anything, but occasionally I have to wonder how best to make it work. And that's on good days. On bad days, I wonder if I've lost every chance for a long-term, meaningful relationship with someone by merit of prioritizing the career to the extent that I've had too many relationships fail not to have become jaded and absurd.

I try hard not to whine about it, but I am frustrated. The simple answer is, "Let go of the acting." You want a family, choose that and let the rest go. No dice, Cochise. I get about as far with that as I do on solving a

Rubik's cube

. It's not an option, and when I try to force that square peg into the round hole (minds: kindly remove yourselves from that gutter) it all goes to De Moines in a hand basket. Of course, there are varying degrees of compromise on this topic, and I've tried to explore them. Again: Rubik's cube. (I'm going to invent a "rubrics cube"; it can only be solved by speaking parenthetical advice at it until it suffers a system error from trying to process it all and catches fire, burning red until it's turned to slag...anyway...) Somehow I'm not yet ready to get a "real job" and practice community theatre, nor to apply to grad school and channel my creative energies into directing the senior class' production of

Angels in America

. Nor any of the other possibilities that spring to mind.

Yesterday I celebrated Friend Kira's thirtieth birthday with her. This March, the girl I moved to New York to be with is finally having her dream wedding. When I got out of college and was touring with children's theatre to save up enough money to move to this big city, I set my thirtieth year as the absolute, no-holds-barred decision date for hitting it, or quitting it, as regards pursuing a conventional family life. My thirtieth is impending, occurring in early June, at which time I will hopefully be in Italy, performing a clown piece in

Piazza Navona

. (Hear me, big G? For

reals

, yo.) So much has changed for me in the past seven years, I'm no longer assured that deadline was a good call. Nevertheless, it weighs on me occasionally. Okay: more than occasionally. RATHER FREQUENTLY. Yeah. That much.

I would like to go back and delete the last two paragraphs there. If you know me, it probably sounds like whining. If you don't know me, it probably sounds like relentless self-justification. Wait: Maybe it's the reverse. If you

don't

know . . . aw, to hell with it. It makes me vulnerable to admit that stuff, but come on. All you have to do is observe me for a short while for all of the above to be self-apparent. I'm not fooling anyone. Well, maybe Santa. Because I have yet to get just coal. Though I often wonder if generic electronics might not be today's equivalent.

What might be really hard to deal with is the fact that, of all my fantasies about how my life could go, which is my fantasy for this milestone of three decades?

In Bocca al Lupo

. Acting for spare change in a city in which I don't speak the native language. Not the fireplace. Not the Willsian progeny. Hat tricks and laughter in a piazza in Rome, which is really just a kind of New York with about two more millennia of history.

So there's no simple answer. Except, perhaps, to say that life is full of surprises. I figure if I can avoid choosing to apply my tongue to sub-zero-temperature alloys, then I'm still making reasonably intelligent decisions. So: I'll see you guys at 5:00 AM tomorrow morning at The Pond!

Interwebz Identity, or, How the Hell did my Prom Date Find Me Again?

In the past two months, I have probably matched the combined time I have spent learning about and updating my "web presence" with the amount I have spent on theatre-related activities. It is a bizarrely exciting aspect of networking these days that we needs must have virtual selves as well as actual. In some ways, it's always been this way. Headshots. Business cards. Advertising. It's just that now there's this whole alternate universe, the interwebz, that we ignore at our own risk.

It's the risk that broke me down, made me submit to said interwebz at last. Because frankly, I am not excited by the custom websites, and can't help but be aware that the interwebz market is even more flooded than the acting profession, so the chances of reaching a broad audience are slim-to-none. Ah, but suppose someone wants to find you...and can't? Great, say I. I already have a cell phone surgically grafted to my hand and an email account that gets a hundred offers daily for erection-enhancing lubricants. Let them not find me! I'll be over here behind this tree whistling Django Reinhardt tunes.

Then I remind myself that I'm an actor.

Balls.

So, here's my progress on the whole webby-ness front:

  • ma' website.
  • ma' 'blog.
  • ma' MySpace space.
  • ma' Friendster locale.
  • ma' Onion classifieds account.
  • various theatres deigning to mention my involvement (No, Google, I did not mean "'Jeff Mills' theatre". You bastards.)
  •  

So I would say I'm doing okay on that front. Certainly I've improved it greatly in the past couple of months...with a little help from my friends. Okay: a lot of help. Okay: they did it all, practically. So good. We're good. On the webinetz. Grood.

Non, monsieur. Excusez-moi, mais vous avez tort.

Look, I don't know who this "

Jeff Wills

" guy is, but he's really pissing me off. Go ride a bike, Jeff Wills! And you, YOU! Whatsyername?

Jeff Wills

, is it? That's just irresponsible, what you're doing. Besides, don't you have some table to bus, bitch! Your kung fu is no match for mine. Oh! Oh, excuse me, I didn't see you th . . . what are you doing to my leg? My alignment is NOT "all messed up!" Get away from me,

Jeff Wills

!

Actually, my point is defeated (once again!) by my own link-searching, which revealed that I have rocketed to the #5 slot on Google when you enter "Jeff Wills". I have no idea how that happened, but gift horses, etc. For years now I have struggled to find myself (pun intended) on these widewebberneties search engines, only to have to scroll through pages and pages of other JeffWillseses, the "VARNA cyclist" being the real popular fellow. (He's been working on his presence since 1995.) Somewhere around page 5 or 6, I would find actual mention of me, usually as the director of my friend

Jade's

second run of

ICONS

, Part I

. Which is great, and all, if you're looking to hire a director with one professional credit to his name.

I shall apply defribulation to my point, however (CLEAR!), and see if it can't go on to lead a relatively healthy, normal life. In the struggle to be known, to have the opportunities come to me more than I have to go after them, there's a lot of one's soul to be lost if one is not careful. I see myself through the filters of these sites, and there's very little recognition there for me. Perhaps that's as it should be. They are, to me, mostly marketing tools. The website is pretty (Yes you

are

, you're

pretty

!

) but essentially a best-face-forward kind of tool; a first impression of a careerist. The Onion ad was a lark, and represents me as I am when I'm sort of most casual about things. Friendster I signed up for so long ago (like, whole year or so) I'm not sure who that is at this point. The theatres and their websites are bare mentions of me as someone who acts and travels a bit. And MySpace...well. I can't STAND MySpace. MySpace is my generation gap from the youths--right there. When I finally got that page semi-glossed, friend Nat wrote to me to say (albeit in jest), "You

are

real!" MySpace makes me feel--on a visceral level--like an octogenarian in a discotech.

But this 'blog, at least, is fairly unfiltered and substantial. At times, it's frightening to think that I'm putting myself out to public access daily. (All three of you readers, this is a bond of

trust

.) One of the most anxious thoughts I have has to do with someone I knew years ago, anyone I've lost touch with, reminding me of who I used to be. Why should that be so terrible? I don't know. Maybe I've invested too much into this career that seems to require a polished veneer. Maybe I'm still not successful enough to be satisfied. Or maybe I really am, when it all comes down to it, an introvert.

Hey: It's what the MySpace personality profile tells me.

Promise Keeping

My friends, I promised you fart jokes, WAY back when I started this thing in 2006, and today I intend to deliver. It is particularly timely, I should think, because my last entry was so very, very serious, and personal, and philosophical, and boring. I even talked about my Dad. I talked about my Dad in my 'blog. Are you my therapist? No. (Unless you are, of course.) So now I make amends.

FART JOKES:

. . .

. . .

. . . um. Okay. So, this guy walks into a bar, and the bartender says, "Sorry, we don't serve guys here," and the guy says, "Pppbbrrrt!" and the bartender says, "gross, dude," and the guy says "Hhhnnttpop!" and the bartender says, "seriously, dude," and the guy says, "HonkhonkawOOgaawOOga!" and the bartender, he . . . .

Okay: I got nuthin'. The thing is, it is hard to make fart jokes over a computer. That, my friends, is a definite limitation still inhibitting the progress of our glorious technology. Have you ever heard one of those recorded,

electric whoopie cushions

? Not funny. Simply unfunny. Same goes for typing a fart joke. There's no life to it, even if you add farting emoticons: }{v| --> >poomf!< --> =vD. And, I mean, I can link you to a video demonstrating

fart

humor, but that doesn't really capture the full sensory experience, does it? No, here I am forced to admit that even the live theatre is a bit lacking, apart from a few avante garde pieces no one really would want to see anyway. You can experience the aroma vicariously, though characters' reactions, but it's just not the same, is it? 'Tisn't. Dare I say: 'Tain't.

But I needs must deliver! I can't leave it at a non-fart joke! That would be like when you successfully hold in a fart for over an hour, because you're at the

MoMA

or on a

first date

or something, then, when you are finally granted a moment of solitude and sweet release, IT'S GONE.

Where do they go?

Are they absorbed back into your body? Do they retreat back up the digestive channels and demand re-entrance to the stomach? No one knows and, at that particular kind of moment, no one cares. What matters is that you still have abdominal pressure that could have been so sweetly resolved, and now you have to go wondering when the thing will rear its noisesome head again. Probably on the crowded subway, on your way home. And you're pretty good at the ol' S.B.D., but there are no guarantees in this life, as you were reminded by your date ending with a rapid handshake, or by Picasso's

Guernica

, and such a gamble might just come back to bite you in the ass.

So to speak.

I'm actually not a great fan of scatalogical humor in any vein, as you have guessed from steeping my "fart humor" in human-behavior stories. In fact, I kind of hate it when a movie goes that way. The "coffee" scene in

Austin Powers 2

, for example. A notable exception to this preference of mine is the wrestling/chase scene in

Borat

. . . but that may simply be because it was the first time in the movie in which the victims of the humor were the actors rather than unsuspecting (albeit admittedly dim-witted) bystanders. By and large, I can do without the gross.

A confession: I just wrote the "fart jokes" thing into my 'blog heading to knock down the pretention a notch or two. It's similar to the delivery of this entry. I got a little too heavy, or theoretical, or what-have-you, to begin with and I use the humor--and some shock--to distract you from how my mind works. It's a great tactic. The only problem with it is that it works a little too well. Occasionally, one ends up losing track of one's own priorities amidst all this duck-and-cover. It's good to relax, take it easy for a moment and have a good, balanced evaluation of one's life.

. . . >BAMF!<