Sticking Up

A little something from my passive-resistance, anti'blogger friend (see

1/7/07

for said friend's impressive dramaturgy), who met a young actor at an educational gig:

"C____ was actually a really interesting guy, who had only been acting for about four months, and had already had a speaking part in the

upcoming Ridley Scott/Russell Crowe movie

--Russell Crowe pulls a gun on him. So awesome! But he used to be a stick-up kid. He talked really honestly about it later when S___ and I were walking back to the subway with him. He also said that he felt the need to pursue acting because of what had fallen in his lap--that from talking to other people on set he had begun to realize and appreciate how hard it is to do that, how hard the life is, and how hard it is to work to perfect the craft. He felt that to honor it--the opportunities that have been flung on him, and the lifestyle that usually accompanies it--he had to see it through to wherever this took him. So there's something for your blog (make no mistake--I do not condone that sort of thing): choosing this life because in part it chose you. And honoring what you have intrinsically. That there's some idea of a blessing involved, and that giving back, utilizing these tools is part of the respect you pay to the work. I think it's rather beautiful."

I agree.

This is not a perspective I come to naturally, this idea that some people have gifts (or "talent") that others do not. I would even go so far as to say: Most people who say they believe this idea, when pressed or drawn into a need to defend their position, would discover they were operating from an assumption. There are these axioms we are all inclined to accept through the sheer pressure of public opinion. It reminds me of a conversation I had with my sister (who, being a fellow

Unitarian Universalist

, tends also to be a questioner--

1/3/07

) on different subjects, but with the same question applied to them: Why? Why is saving a life automatically the best choice in every situation? Why should there be someone out there for everyone? Why should it be that people have natural talents, rather than abilities that are either cultivated or not?

The Why Cycle is a vicious one, of course. Ever have that conversation with a beebler (read: fully verbal but

very

young child) that starts out with something simple, like, "Why do birds fly?", only to end up with a question equivalent to "Why are we here and how do we, in fact, know we are here at all?" Ah, the birth of abstract thought! Ah, the Medea-complex it can inspire! So let's not build an

Escher staircase

, please. But the question "why" was made to draw back the curtain, show us through the frame to a broader horizon of possibilities, so it's a good place to start.

C____ reminds me of my mother, midway through seminary. (Stick with me here.) (Come to think of it, he reminds me of myself, midway through college [see

1/29/07

]. But my Mom has always been more inspiring, so:) A middle-aged Unitarian Universalist at

Wesley Theological Seminary

(an ecumenical Christian school) studying to become Reverend Wills. She came from teaching elementary school for years, and after volunteering for a year or two as Director of Religious Education (DRE) at our church--

AUUC

--began setting her sights on the ministry. That part of the story's unique enough, but the point (yes, I have one this time) is that about midway through her ten-year tenure as a student of ministry, her peers began to swap stories about their Calling. This is not calling, as in holla-back-shorty, but Calling, as in holla-back-Jesus. (Jesus: I ain't no holla-back prophet, but here's some blessing for the effort. And Haddock. H-A-D-D-O-C-K... [Just a little ecumenical

humor

, all in good fun...Sir...]) Of course all the acknowledged Christians had little difficulty with this in concept, regardless of how it might apply to them in practice.

My Mom, however, had to think about it for a bit. (It's what we do, UUs: think. Alla' time. It's irritating.) She also had to soul-search, pray, meditate and probably do some new age crap that I still respect but is awful, awful crap. Ahem. Sorry, New-Agers. And Wiccans. I do some of it myself. I'm just an upstart UU. WATCH OUT! Anyway--and this is funny--I can't remember what conclusion she came to. Which is the funny. I thought I had a point, and yet I have made a liar of myself. God did it, probably, for my non-UU-ness a few lines ago. Thanks, God. I needed that like I needed another crisis of faith. Anyway, my Mom is indeed Reverend Wills now (she even answers the phone that way; try it: 301-745-6576) so she and God must have gotten right about it somehow.

But how's this for a point: For whatever reason, my Mom is absolutely gifted at being a mother. It's what she was born to do, no doubt about it in my mind. Something silent in her reaches out to you in whatever need you're in and--whether it's by conduit to God or a powerful ability for empathy--gives you what you need. It's a fact of faith for me, and I don't have too many of those (mostly I have theories of faith, which is how we UUs generally like it).

My point, my friends, is that it doesn't matter how we do what we do. The source(s) of our power in the world, be it nature, nurture or divine providence, does not seek to answer the question of "why." What matters is that we do it. Perhaps we were meant to do what we're doing. Perhaps we've just spent a lot of time working really hard at it. I believe it's good to honor something other than yourself with what you do with your life. Any ambition means more, and will accomplish greater things, when it is serving a larger purpose. So honor thy mother and father, honor humanity, honor God, but honor something say I. Though not

L. Ron Hubbard

, please. That was based on a bet. I guarantee it.

There's a lot of banter between actors about the specific "right way" to get into character (it was a much-heated debate toward the beginning of the 20th century; now it's mostly just banter [like religion in the west, more and more people are beginning to see multiple perspectives with the same goal]), with camps that claim success is achieved when you

become

your character, transformed, and camps that insist success lies in the character

becoming

you, essential, real and true. A thousand grays lie between. I, and most peers with whom I've discussed it, see it as a meeting halfway. Halfway in this context meaning a point in time (rather than distance) when the two converge; sometimes the actor has to do more traveling, sometimes the character. I willfully apply this scenario to the question of our choice, or being chosen. And I think it is a constantly shifting ratio. Sometimes we just have to keep choosing and choosing and CHOOSING to do what we love. And sometimes, the love calls to us.

Holla-back, love. Holla-back.

It's kind of Cold Here

Understatement is an unheralded art form. Because it would defeat the purpose of the form, wouldn't it? Ironic. Actually, that's not ironic. It's somewhat self-fulfilling and wry, but irony, strictly speaking, is the statement of meaning opposite of the words one uses. The vilest form being emoticon irony, i.e. "I freaking hate you, you bastard. ;D " Actually, the emoti-wink eviscerates the irony too, making it more of an aside. It would be more apt to follow up the statement with something like " =D " Statements that are merely apt are often swiftly categorized as ironic nowadays. It makes me sad. It wish it were a more remarkable occurrence. Alas, it merits only the amount of remarks I have made prior to the period at the end of this sentence.

:P!

That emoticon's tongue is actually stuck there, frozen to the exclamation point, because it is SO FREAKING COLD HERE. Friend Adam made a good call a couple of months ago, when he predicted we would reap the whirlwind following the balmy start of our winter here in sunny Manhattan. Me, I've ceased to make weather predictions beyond that it will rain whenever I'm feeling depressed. And no, there's nothing Sophistic about that. Why do you ask?

I still remember my first winter in New York. I moved here on the second of January, 2000, an eager-eyed little 22-year-old whipper-snapper, and hardly realized what I was in for . . . in so many ways. One of those ways concerned the effects of a northern city wind. At that time I had visited Chicago, and so thought I knew wind, but the consistency of the winds in Chicago is part of their mythos. Not so with NYC's zephyrs. There should be traffic lights and crossing signals for the gusts that bide their time in The Big Apple during the colder months. I've turned onto avenues before and been mind-numbed by the sudden drop in temperature. It's fun to watch tourists do as I did that first January here, namely walk the steps up from the subway and run up the last three because a powerful gale has hit their backs.

When I first arrived here, I was still clinging to this notion that there was virtue in being colder than I had to be. In part, this was to justify the wearing of my grandfather's fall coat nine months out of the year. (The other part was that mentality so many of us come at a significant challenge with: "I am going to do this no matter how

hard

it is, and it better be

pretty hard

, so I know my efforts are justified!") I loved that coat. Love, I should say, because it still hangs forlornly in my closet, never again worn. It has, to be kind, seen better days. A light, gray-brown tweed coat that comes to knee length, it was actually refurbished by my father (paid for it--not a tailor) one Christmas, and still I've worn it into the ground. There are holes in the lining, and a one developing through the tweed itself in the seat. The button holes are ragged, and the tweed is also wearing away around the collar fold and seam. Yes, I am ridiculously sentimental. Or rather, I used to be. Few things I've acquired since about 2001 have held enough intrinsic reminiscence for me to think thrice about tossing them. Still, I consider it an act of great callousness on my part not to wear the coat anymore, so giving or (NEVER) throwing it away is not an option.

I started wearing the coat in my junior or senior year of high school. I can't remember why exactly, and it was an odd choice for me, since at the time I placed a very high priority on my clothing being as jet-black as possible. (Yeah: That guy. And you're reading his 'blog.) I remember I wore it in a show, which may have been the start of it. I also remember my girlfriend at the time asking me if she could have it to wear, and my deftly giving her another of my grandfather's coats, as though that would settle the issue. (And that one was the heavier of the two; see my supposed IQ in entry

1/6/07

.) It rode across my back for years, and every year I would be eager for the temperature to dip so I had an excuse to wear it, regardless of how ineffective it was as a winter coat. That paragon of tweed traveled with me through quite a lot; more than I can reasonably sum up here.

I've shed a lot over the years since arriving here. It's an important and continuous life lesson--letting go--and nothing brings it to the pragmatic forefront quite like living in a city in which you're expected to change apartments bi-annually. Sometimes I wonder if anyone ever actually learns that lesson, or if we just go through times when we're forced to accept its necessity, or choose insanity. That's a regular theme in shows I've contributed to the creation of here in the city, and with little wonder. In the resonance of 9/11, it was natural for

Kirkos

to create

Awake, My Heart

and

Requiem

, and for Joint Stock Theatre Alliance to continue work on

The Torture Project

. We've had to honor so much passing (though not the passage of irony from vogue, as so many were eager to report) that to say we're still grieving is an understatement. I know that I'm still learning about the effects that day continues to have on me as I continue to survive (and occasionally even thrive) through the losses then and since. And the lesson that keeps challenging me is how and when to let go. Because eventually, you have to. Life is growth and movement, and you can't move while clinging to one point, object, person, belief, etc....

Someday I'll give up my grandfather's coat entirely. I've already replaced it with something more suited to me as I am now (I swear to you, on my life, that I didn't intend that pun). My winter coat now is calf-length, and black, of course. It's still not the heaviest thing in the world, but I've learned to layer. I've had it a couple of years now, and the lining in the back has gotten torn at the seams (which I consider apt). For now, I continue to keep my grandfather's coat in my little New York closet. I still need it, somehow. Some part of me identifies with it more intimately than I do with anything I've worn since.

But I'm not really sentimental anymore. ;)

Take a Breather, My Heart

A preface: Over the summer I grew a little obsessed with an idea that I've harbored for some years now. Namely, getting a tattoo. I've known what I want for a while now, though don't have a specific design yet (damn but I should have stuck with my art classes) and over the summer I figured out where I would get it. That, combined with a certain rediscovered penchant for irresponsible decisions very nearly drove me into tattoo parlors in both Florence and Scranton. Now, anyone who knows me knows that:

tattoo : me :: lace apron : Godzilla

That was part of the appeal, to be honest.

Cut to now (

the ever-glorious now, the ever-present...now,

to quote the late, great Mark Sandman) and my first doctor's visit on the new health insurance. It had been a little over a year since meeting with Ellen Mellow, M.D (and my first meeting [during the second day of last year's subway strike] was my first insured doctor's appointment of my adult life), and we had a lot of ground to cover (see Dec. 2 entry for details). Doctor M. specializes in heart health, and during my check-up she spent a good deal of time listening with her stethoscope. This seemed a little odd to me, but I told myself to relax and let time slip by. Then she asked me to lie down while she did more of the same, listening to my heart from multiple angles. That request put me even more in a "huh?" place. Then she terrified me.

"You have the most amazing arrhythmic heart variations."

Actually, she said a lot more, all in indecipherable medical jargon, but that's the dumbed-down version. As I came to understand, I have what Dr. Mellow considers to be a rarefied variety of regularly changing heart rhythms. She even went so far as to say that it could simply be due to my being an actor, due to emotional versatility/extremism, but that we'd better take an echo scan just to be sure.

And like in a bizarre old movie, she opened a side door from the examining room and there was a darker room with a big machine in it being operated by a man of Asiatic heritage who wasn't much for bedside manner. In the tersest terms he instructed me to lie on my side, close to him and the machine, and rest my left arm under my head. As I maintained my reclining-Venus pose, he attached three disposable electrodes to my chest, triangulating signals on my heart, then smeared a glob of teal gel on what looked like a bladeless electric razor and pressed it into my lower left pectoral muscle.

Bing! Just like that on the computer screen was a grainy, black-and-white image of my beating heart. I saw valve. And for the rest of the examination, at least ten minutes, I was rapt. He pushed the not-an-electric-razor with its not-entirely-warm gel in all different angles off my torso, and I saw live images of my heart switching from cha-cha to two-step, to waltz, to west-coast swing. I thought, as I lay there being prodded, how remarkable it was that we got something so right in ancient times as associating emotion with our hearts. They're not the source, nor a depository, but damned if they don't tie together the whole experience in a visceral way.

It makes perfect sense to me that my heart doesn't, and may never have, kept metronomic time. I don't know if I'll ever get that inking of a great black bird in mid-flap over my left breast. But if I do, it will have good company. Something wild, something of a scavenger, an improviser, itself.

A Year (or Three) in Review

Returning from my holiday journeys just in time for New Years, I find the city the same as it ever was. I suppose it's only natural to feel inclined to review one's year in the face of a new one. I have to admit that 2006 was not a year that I will be dreadfully sorry to see go. It was comprised of amazing highs and lows, both; my hope for the new year is for it to be a little more moderate in its exchanges. I feel a bit guilty expressing that desire, what with professing a renewed conviction in

The Third Life

(tm), but who's to say TTL(tm) can't at times have a nice, steady rhythm to it, rather than a course akin to a

wooden roller-coaster

at every turn?

While I was visiting NoVa, a dear friend of mine who has lived in San Diego for years now was home, too, and threw a modest reunion for certain circle of us from high school. I saw her and several other people I had often wondered about since graduating. It wasn't the typical reunion. Everyone there was really interested in one another and speaking intelligently about their lives--none of that dreadful one-ups-man-ship that seems to be the major export of the Uniting Reunions of America. In spite of how lovely it all was, what I'm carrying away with me, and keep revisiting in my mind, is an unanswered observation an old friend of mine had to say. In response to my description of my life since college, all the touring, traveling, month-long shows, etc., she said, "That sounds like it would be so lonely."

Believe it or not, I had never looked at it that way before. And I

love

to look at things darkly. I mean, I am

dark

. (Do you read the last page of a new book first, just in case you die before you finish reading it?

Because I do.

) Somehow, however, this obsidian nugget of darkness had eluded me. I mean, no wonder I've been the great serial monogamist all these years, and no wonder the pursuit of an acting career can be so soul-evaporating.

It is fucking lonely.

Now I cast back to a Christmas party my friends Todd and Kate had before we all scattered to our respective homelands for Christmahannukwanzica. At this party, nothing was said to shatter my earth. My earth remained intact as I bid adieu, but it was certainly rocked. Three of the guests at the party were a family--young parents and an unbelievably verbal sub-toddler. And get this: The parents were in theatre.

I KNOW! The wife/mother performed in musical theatre, touring occasionally with her son along. The husband had switched to directing after being an actor for several years and was having what seems to have been a very good time of it. Now, it's not that I don't know that such people exist. They must, else we'd never have these celebrities with stories about how they learned everything from their quaint, performed-on-Broadway-for-forty-years parents. Right? Right. Somehow, however, coming face-to-face with such folks was a very difficult experience for me that night. There was a lot of envy going on there, and I don't generally get too envious over career stuff. You landed a movie? Congratulations. Your agent says he's going to get you on every CSI they make? Fantastic.

You maintain a career that supports you and have the security and emotional wherewithal to start a healthy family? Come here. A little closer. I NEED TO GO ALL

TALENTED MR. RIPLEY

ON YOUR LIFE!

The thing is, it's not as though I haven't had opportunities to be in a family way. In point of fact, I keep choosing the ol' career over marriage, family, etc. This year has been, in its way, a huge exemplification of that choice. Now, I could argue that the problem has always been that (for one reason or another) somehow the choice always comes up. It's never a matter of someone wanting to be married to

me

, but to the

me I'll be when I get over this acting phase

. I could make that argument.

But I don't, because the question is far more interesting if I don't have that somewhat convenient circumstance to fall back on. So why do I keep making the choice, knowing that it will keep leading me back to questions about my path and insecurities about the ticking clock?

This year I ran around like mad. I moved back to Brooklyn from Queens. I had absolutely

horrible

health (the short list includes something in the area of two bad sprains, teeth problems, four feverish throat infections, and what I thought was a hernia but turned out to be a

chemical epididymitis

instead) but also wrapped the year with enough Equity weeks worked to qualify for six months of free health insurance, starting today. I was in and out of Pennsylvania, and traveled and worked in New Hampshire/Vermont, Virginia, Maryland and Italy. I performed in a satire, a tragedy, two comedies, one work-in-progress and one original debut. I developed a solo clown piece. I danced and sang, fought and kissed, and even got a little writing done.

What is this worth? Where is this getting me, I often ask myself. I view my career in a fashion similar to my spiritual beliefs, which is to say: If I don't question them (or myself) regularly, then I'm not really living them. Questions are not dangerous, unless they go unasked. In fact, I'd say that the darkest times in my life were when I was too certain of an answer to keep asking the questions. So. What is it worth?

The difficult answer (and for God's sake, question even this) is that it's worth itself. And that's all. I have to be satisfied with myself insofar as I need to be to be happy and think clearly. TTL isn't better than the more conventional life, but it certainly isn't worse. Some feel a need to insulate themselves from its danger by observing it and judging. "Doesn't the constant running from show to show seem like an addiction?" "You're not making enough money to make car payments?" Even the classic: "How do you memorize all those lines?" (Folken: What we really hear you saying is, "What on God's green earth possessed you to commit yourself to something so archaic and bizarre?") It is similar to every other priority we might claim without risking such judgment. Doesn't the constant pursuit of more money seem like a compulsion? You mean you just stay at home, all day, in the same home? And how do you forget all those childhood dreams?

We can neither of us judge the other, and I sally forth [insert comic strip pun/allusion here] into the new year eager to continue the wrestling match that is I. Me. I? Anyway. We're all here trying to make sense of ourselves. It's good to be accepting of our different paths; or if that's too much, than at least of our own path. I'm reminded of a conversation I had at the start of college, with my dear friend who organized the reunion and another incoming freshman. That Other asked us why we did theatre,

really

. I said some pretentious, theoretical crap (which I really believed and probably still do) and the guy said something along similar lines, but dear Sarah said,

"I just enjoy it. It's one of the few things in my life that I can point to and definitely [sic] say 'That makes me happy.'"

Well said, my friend. Happy new year, everyone.