Four (or Five) Weddings and a Funeral

I've been thinking about death a lot, lately. Not in a

goth

way, I assure you. (Remember goth, the old

emo

?) Although, I

am

pretty goth, without even trying, so it may be more goth than I am aware, my thinking, surrounded and filled by gothness as I am. I mean, I wore nothing but black clothing throughout high school. "

That, my friend, is a dark side.

" The subject of death has been brought up repeatedly by Yours Gothicly here at the Aviary;

twenty-two times to date

(not including this-here entry), to be exact. I've waxed a little philosophical about the subject, but for the most part my addresses to the final spectre have to do with how I believe it relates to comedy, and the laughter impulse. In brief, I believe most of our spontaneous laughter arises from reminders that we are mortal; that some day, each of us will die.

Told you I was goth.

Be that as it may--or may not--my belief in it has gone a long way toward helping me cope with the idea of confronting my own death. Now, I've never even been close, by either disease or incident, so far as I was aware. So the next is to be taken with a grain or two of salt. I've been thinking lately that our awareness of death is also a big part of what drives humans, what makes us so

ambitious

and, often, so anxious. I think you'd find a corollary between people who are generally anxious and driven, and those that are philosophically engaged in resisting death. In fact, I'd go so far as to say that whatever Zen-ish approach I've mastered for my own life is a direct result of diminishing my own fear of death. Or, to give myself less credit, perhaps it's a result of living in a more complete ignorance of my own death. As I get older, and my eventual death becomes more conceivable to me, I have to relearn to accept that idea, over and over again. And in many ways, I feel much more driven now that I've gained a little more perspective on how quickly I could exit life's stage. When I was younger I tended to dream bigger, but none of it seemed especially urgent. It would come eventually. Now I dream (a shade) more realistically, but it's got a greater sense of urgency. Because now, I only see one thing as truly inevitable.

In the coming six months or so, I'm involved in no less than four weddings. It's true. I've got ones to attend in September, October and January. Oh, and one in November that I ought not to miss, either. There are even more going on than these, others in my extended circles of friends, at the same time. I don't know why, but these things always seem to come in cycles of density and naught. (We certainly didn't plan it that way.) Marriage is one of those things that it seems to me each person comes to in his or her own time; kind of the most amazing collaboration possible. It depends upon a convergence of so many factors that it's a little amazing to me that it ever happens, much less happens so often, now-a-days. I mean, we do get a better deal on taxes and such, but marriage isn't necessary to the common person's survival the way it historically has been. Apart from some antiquated societal expectations, marriage has very little excuse for being anything other than an independent, individual choice. There's virtually no reason for a fairly stable person to get married into any situation that's short of perfect for us. We can hold out for love, looks, money, sexy English dialect -- whatever your criteria. It is in no way assumptive, or inevitable. In this way, marriage becomes even more meaningful; it is a matter of choice.

As in all exploits human, marriage is motivated somewhat by self-awareness, and death. No one wants to die alone. Even if that last walk is ultimately up to you, you want someone there holding your hand just before you take it, if possible. There are many human relationships that can buy one insurance toward that circumstance, but marriage is the most likely gold standard.

This Monday, a funeral will be held for someone who was very dear to me. Her body relented to a long battle with cancer last Monday morning. She was the mother of an exgirlfriend of mine, so my connection with her and her family is not the most frequent. It's a rare and valuable connection for me, though, in that in spite of the disappointment and pain of the romantic relationship and its conclusion, my relationship with the family continued in a spirit of mutually cherished love and respect. They're a family strong in Christian faith and, though I don't see everything the same way that they do, I know their faith in God is part of the reason I have had a continued loving relationship with them. Particularly with the mother. She was a shining light. I know that sounds like something everyone says about their loved ones lost, but I couldn't mean it more specifically to her. Judi's sole motivation during the time I knew her, it seemed, was for the joy and sense of love in absolutely everyone around her. She was loving, warm, funny, a believer, and though I've no doubt she's gone on to that place she believes in, to be unified in that same spirit of love she embodied, it's just not fair that she's left us.

A little over a year ago, I saw Judi again for the first time in years. The occasion was her daughter's wedding, and I ended up having to really bust-ass to get down to North Carolina for it. My flight got cancelled at the last minute, and a mutual friend and I ended up renting a car in Astoria ("Will you be staying within the tri-state area?" "We'll try.") and driving fourteen hours with traffic and weather issues. A lot of people questioned the wisdom of my actions. Not the rental car, mind you -- no one knew about that until afterward. No, it was the idea of attending an exgirlfriend's wedding. There were no qualifying factors to her "exgirlfriend" status in my life: we hadn't been friends first; we had been a serious, long-term relationship; the break-up had been painful. I was surprised to have been invited, and I gave serious consideration to graciously declining. To my memory of it, Judi's struggle with cancer began in the interim between her daughter's engagement and wedding day, so I knew of it when I got my invitation. She's the first person I had known with malignant cancer. I wanted to see her and the rest of the family again anyway, I admit, but I wanted to see her more upon hearing that news. It was a good justification for my actions, but I had no experience to apply to the concept that her life was truly in danger. To put it another way, I made a good decision almost by accident, because Judi's death did not at the time feel like a real possibility to me. When I did see her at the reception, her voice was just a whisper--a result of the extensive chemotherapy she had been undergoing--but she was softly ebullient with joy, for her daughter's marriage of course, and also, somehow, to see me again. We didn't talk much, but we had ourselves one hell of a significant hug.

We never know when we might be seeing someone for the last time in our lives. It can be easy to forget that, in this day and age, with all the myriad ways we have not only of staying "in touch" but "reconnecting" with people from our past. It can also be easy to remember it, and allow it to drive us into anxiety and a useless blind-fighting of inevitability. Perhaps, though, this awareness can allow us instead to appreciate our hellos and goodbyes a little more. Maybe we can come to never take a hug or handshake for granted, or to reject the notion that anything is done for us, or obligatory. Every action in our lives, every person we love, can be a choice. Hopefully, a true and meaningful choice. That's what I'm going to try to remember. Judi, I think, would appreciate that idea.

The Continuing Story of Circus-Kid Kate


Some time ago, rather in response to a 'blog entry Leah Hager Cohen did about her, I devoted an entry (see 3/14/08) to Friend Kate Magram in tribute to the amazing things she's taught me. That, I had hoped, would spawn a tremendous groundswell of Kate-imonials, because she's really touched a number of people in her time as an active circus enthusiast. (And most of those touches weren't even inappropriate!) Well, my readership is too small, it seems, to inspire such swelling. I remain confident that it's not size that matters in this matter (of swelling, ground or otherwise), but I do wish I could have brought people's awareness of Kate a little more to the forefront of the national consciousness.

Fortunately, Mizz L.H.C. is a little more influential:


Sure. It's Good Housekeeping. But I still think it's hella cool. In the accompanying interview with Mz. Cohen they ask her if she's done any "acro-balance" moves lately, and she replies that she hasn't, but likely will the next time Kate comes around. That doesn't surprise me, because it only takes one acro session with Kate to appreciate that she's eager to do that work any time, any place, compensating for any injuries or social mores that may stand in her way.

Recently, I ran across a photo on a friend of a friend's Facebook(TM) page. (No, I'm not linking to Facebook; because it's ruined my life.) It was of my friend and his friend doing a thigh-stand in some public space, and looking pleased as punch about it at that. My friend is Kasidy Benjamin. (Okay, see? That's how Facebook's ruined me.) He found me in Legal Snarls, Zuppa del Giorno's second production, way back in 2004. Kasidy came with us to Italy for In Bocca al Lupo the first time we all went, and performed semi-improvised comemdia dell'arte in Italian for an Italian audience. He graduated high school last semester, and in the fall he's off to Dell'Arte International. And somewhere in all that, either I or Friend Heather (and I taught Heather) taught him thigh-stand.

Kate has a thing about the lineage of knowledge, particularly as it applies to the passing-down of skills. In her perfect world, everyone would know the family tree of everything he or she has learned. "I learned it from this person, who studied with this person, who was a disciple of..." Etc. I admit, it sounds very nice. Even noble. I also think we're a bit too far gone to get it done these days. I could certainly start now, though, and in the world of acrobalance my beginning begins with Kate. From Kate came all these good things. I owe Kate huge karmic residuals (which she would almost certainly rebuff for being inherently un-karmic [unless they manifested as money or free time, perhaps]).

Here's the thing I'm having trouble with: For various perfectly rational reasons, a few years back Kate drastically reduced her involvement in creating circus work and new circus performers. She is now hip-deep (occasionally eye-ball-deep) in the work entailed in becoming a physical therapist, and she'll be a good one. Her secondary passion to acrobalance when we worked together was making sure EVERYONE DOES THINGS SAFELY. Some of this, admittedly, may have had to do with liability issues, but I choose to believe the core of Kate's personality lies in a primal need to protect people; occasionally from themselves. That instinct, combined with her love of all things physical, makes her a prima candidate for becoming an involved and informed physical therapist. Can not complain about them apples. What I can moan about is Kate's self-removal, albeit necessary, from the regular teaching and choreographing of acrobalance. I don;t think this will come as any particular surprise to Kate. Unless she misinterprets my feelings as a criticism of her choices. Which they are not. Kate.

It's just that, dang it, she's good. Maybe she's not the greatest acrobat in the world, or even the most gifted teacher; she'd be the first to confess various stories of having missed this or that, wishing she could go back and do something different. But I think we all feel that way about our work to some extent, and the people who really fail in any meaningful sense do so because they fail to perceive their own mistakes. What Kate has that's so damn valuable is an effortless love for the work, and for the people who are willing to try to come to it with open hearts and minds. That love fills the room -- and sometimes, a good portion of Sheep Meadow -- when Kate teaches. I've tried to carry that on, that ethos, and I think I've done a pretty fair job. I enjoy teaching or skill-swapping in this vein for the moment it creates amongst all involved, and it seems that those moments can indeed carry out into the world and the future with the right people involved, like Kasidy. So it's good work. Time well spent.

Thanks again, Kate.

Such Great Heights

Yesterday was a Sunday, and I've relished those Sundays in the past few years that allowed me to sleep in, do a crossword and generally rock the low-key rockin'. I generally hate to rehearse on a Sunday night. Someone always wants you to. It's driven by desperation, largely. The scale of production I generally work on in the city doesn't pay one enough to quit his or her day job, so the folks managing schedules are confronted with a barrage of money-making conflicts. No one wants to rehearse early on Sunday, because of God. Also, because it follows too close on the heels of festive Saturday night. So someone invariably suggests Sunday night for rehearsals, and I invariably have to say, "Oh yeah, no, that's my knitting-circle night," or some such. Yesterday I had a rehearsal at mid-day, which was okay. If the trains hadn't been wearing their special helmets, I might have even made it on time.

Cirque Boom

has been requested to perform at a

benefit

for

NYFA

, and I and three other performers were requested by Ruth Juliet Wikler-Luker to participate. One

Ms. Cody Schreger

is joining me for acrobatic duets, largely of the standing variety, owing to the constraints of the space. True to Cirque Boom form, we're playing energetically eccentric characters. I'm playing a tormented, mute poet, immigrated to America some years ago in a quest for a new love; Cody his first lover from "The Olde Country," venturing to America for the first time in the hopes of bringing him safely back into her embrace. This is all an elaborate excuse for flamboyant gesture and expressive acrobalance. We met yesterday in an apartment/studio in Brooklyn to refresh our (read: my) memories and choreograph.

I

hurt

today. And it is a

good pain

.

Approximately three years ago,

Kirkos

, a circus-theatre-et-al. troupe I was a founding member of, effectively folded. A little while later, Ruth of Cirque-Boom fame left the country for a year. These were my two core sources not only for "acro" exposure and practice, but for my expressive physical activity in general. In the intervening years between then and now, I've kept busy and tried to apply all I learned between 2002 and 2005 to other shows I've worked on and in workshops I taught. I worked so hard at that, in fact, that I had come to believe that I was maintaining my practice sufficiently, if not with as great rigor or regularity. It's amazing how complacent a person can become if he or she only wills it to be so.

I've written here before about the good ol' days of my acro career, when I was young(er) and doing handstands in the corridors of my day job with

Friend Melissa

(see

12/5/07

). The emphasis of that writing was craving a return to that level of activity and physical maintenance, which has been a strong desire for me as well. What I learned from Sunday, however, is that part of the reason that's been so difficult for me is that it's been all me. I mean, not

all

me. On the occasions when we're working on a show together, Friend Heather and I train in acro a bit, and Friend Geoff and I both have a love/hate relationship with jogging, etc. What I mean to say is, I've discovered I've been missing more than the exercise. Last summer I worked myself into a muscle-bound frenzy (not so's you'd necessarily notice, mind you) for my part in

As Far As We Know

, but I wasn't building anything but myself, and it faded.

Sunday's rehearsal was even in a space that reminded me of

Friend Kate

's loft, where Kirkos met and tumbled about. It was in a, shall we say, less-developed section of Brooklyn, in a converted space with plenty of raw-lumber beams and old factory floorboards about. We climbed the stairs, removed our shoes, laid mats and started warming up. The warm-up wasn't just to loosen our joints, or "awake" our physical sensitivity, it was serious -- stretching out and warming up muscles and tendons that would soon be asked a lot of. We took our time, chatted, doped one anothers' stretches if they looked good, as a group will when they've worked together before and don't need to acknowledge social conventions. After a good, long warm-up, we began.

I'll skip the details of development. Suffice it to say that we choreographed quickly, everyone throwing in ideas and interpretations. Within minutes, I found myself performing tricks I had forgotten I'd known, and doing some I hadn't been able to do years before. The sensation was incredible. I'm not at this time in the greatest shape of my life, but working with an experienced acrobat like Cody made everything easier, and it does seem as though I've gotten stronger in some regard over the past few years. Though, by the end of the two hours, I was definitely quite winded. And, as I put it above, I

hurt

today.

All this leads me to conclude that it's past time for me to be regularly involved in this training again, whether I can find a group to join, or have to start one myself. The common approach for most of my acro friends of late has been to team up with someone who they can count on, train and prepare for performance opportunities with. And that's well and good, and works great, but I need a group. I need a community that can sustain itself even when I'm off in Italy, applying the skills from that group to my commedia dell'arte work. And it may be up to me to form it.

We may even have to meet on Sundays.

A Couple of Things

[BEWARE: The moment this entry enters the TMI range for you, quit. It is carefully structured to start soft. You have been warned.]

Hi.

Wait, wait! Don't go! We need to talk. Right now.

I've been putting this off for a while now, because I knew it was going to be a difficult discussion, but we can't go on like this. Something's got to change, and I'm just trying to make that happen, okay? I'm not trying to start a fight here, so don't jump all over me when I start being real. Okay? Try not to. Okay, My Balls?

Look, My Balls: I don't know where to begin. I think you know I love you. I try to show you that in little ways every day. Maybe some days I do better than others, but in general I think you'd have to agree that I'm neither abusing you, nor taking you for granted in any way. I . . . what? No, they're not. No, My Balls, it's called pants that fit! That's all!

This is exactly what I didn't want to have happen here. Can we take a moment? Just calm down? I'm not sure we're going to get much of anywhere unless we can talk about this like well-rounded adults. I'm not accusing you, no. No, you're pefectly round! If you take everything as an attack, then I can't say anything!

I'm sorry. I won't shout. I know. I was loud. I'll stop.

>sigh<

Okay. I acknowledge that some of this is my fault, and I am truly sorry for any harm I may have caused you. I'm inclined to believe that the problem lies in our communication. You were communicating in what you thought was a very clear manner--and I'm sure it was, I just need to listen better--that you were unhappy with something I was doing. Or, had done. Now, it's not really fair, My Balls, to only tell me hours or days after the fact that you disagree with something I'm doing. I'M NOT BLAMING YOU. I'm not. I'm just . . . offering some constructive criticism. I will try to listen better, and all. Please try to address your concerns to me in a timely manner. Thank you.

Now, as to where we stand now. No, now, listen: Everything is not fine. Well, I'm glad to hear you aren't having any particular problems, but you might consider the idea that my problems are in fact your problems. Hm? I mean, without me, you're just you. I mean, you'll have each other, but then what? You dig? Okay. So. Now. I'd like to be able to sit with you for a while.

No, not like this. I mean: yes, "like this," but for longer, and while I'm doing other things besides giving you my undivided attention. I like attention too, but you can't have it all the time. No, you can't. Ow! That isn't helping things, My Balls! Grow up! That's better. Ow! Knock it off! My job is at a desk, and there's nothing I can do about all the sitting! Oh, don't you eye-ball My Posture. How are you doing that, anyway? Never mind. My Posture and I are working on things, and he is doing much, much better lately! I wish I could say the same for some!

What's that? Ug. My Balls, I have to work out. I have to. It's part of my career, my health and just my general mood. I am trying very hard not to repeat the ugly incident we had, what, a year-and-a-half ago now? You have to help me out, guy(s). You have to hold the fort, as it were, a little better. I can accept that I used to do crunches too fast, and I'm being all Pilates-like now, so there you go. Now, let's just try to hold it together when I do things like pull-ups and push-ups, okay? I know these engage My Abdominal Wall, but come on. We all have to work together here. And before you say anything about it, yes, I'm having separate conversations with My Quads and My Gluteal Muscles. Don't try to divert the subject.

Oh. Yes, well . . .. My Pelvic Floor? You're right. Yes, you're right. I haven't had that talk yet. I mean to, I just haven't . . .. Listen, I didn't even know I had a "pelvic floor" most of my life. I'm a little shy about approaching it. Well, it's intimidating. I mean, it's the center of everything. Everything. My Gravity, My Musculature, the base of My Spine . . . My Pelvic Floor is really important, and I get really . . . tense . . . when dealing with it. Which doesn't help.

And so, yes, you've made your point. It is my fault. No, I'm not just saying it to placate you. It is hard for me to accept, but all of this started with my own sort of approaches to my physicality, and overcoming adversity. Hey: I'm trying to tell you something earnest here -- there is no call for the "Dr. Phil" insinuations. Apology accepted. Now as I was saying, it's precisely because I attack my challenges that I've gotten hurt. Attacking may be well and good and all as a youthful approach to challenges, be they career-oriented or physically-oriented, but as I grow older it would serve me well to work on approaching challenges from a more intelligent, constructive and controlled perspective. A high energy that's also calm and centered is called for. Thank you, My Balls. You've really helped me see things in a different way.

Hm? Oh all right. Yes. You can have a kilt. But I'm only wearing it on the weekends.

Meat Growth

Now if that title doesn't earn me pornographic status in the various 'blog rating systems, I don't know what will. Right-wingers beware -- I use ambiguities in our God-given language to my advantage. Now:

I am not one who condones senseless paranoia inspired by emerging technologies and based in pulp fiction, but

this

is going to turn us all into zombies. You can see that, right? Even without the abstractly disturbing visual attached to the article, the facts read like the prologue to a dreadful zombie film.

The world thought it had reached equipoise at last -- genetically engineered food sources eliminated hunger, and peace began to evolve from a dream into a standard of living. No one could see anything wrong with the technology . . . until one day, the horrible latent virus in the meat that gradually atrophied the reason center of the human brain reached a critical mass. Panic swept the globe, surviving only as long as most of the population maintained its reason. Soon, however, all that was left of humanity was an awful conglomerate of vicious, shambling undead, feeding on all the live, un-vat-grown flesh they could find.

Or so it seemed. Subversively, on a small island in the North Sea, a group of passionate vegetarians lived and planned an uprising. They had never accepted the practice of consuming meat, despite the supposed lack of cruelty to animals in consuming Vat Meat(TM). Now this pack of loners must gather its disparate groups from around the world and, much like the virus that seemed heaven-sent to destroy the meat eaters, come to life and destroy the new race of cannibals. They may be relatively weak and rather anemic, and they'll have to overcome some certain scruples as regards mammal murder but -- by God -- they'll take the planet back.

Meat may be murder, but these zombies are nothing but vegetables . . . and the vegetarians love them some crudité.

Romero: Call me. I get 20%.